Home
- Introductory Commentary by the Project Author, Abigail Vetrone
- About Gilbert and Sullivan
- Overview of the Mikado Project
- Infatuation with Eastern Culture
- The Mikado: Controversies
- The Swing Mikado (1938)
- The Hot Mikado (1939)
- Hot Mikado (1986)
- Black Mikado (1975)
- The McAdo (2022)
- The Mikado Reclaimed (2016)
- Other Non-American Adaptations
- Conclusions
- Mikado Poster Image Gallery
- Credits and Works Cited
Conclusions
There is something to be said about appreciating older art works in the context of their societal and temporal norms. However, the idea that something is "a product of its time" and that we must simply accept its wrongdoings takes away from the very real harm perpetuated by the racial and cultural insensitivities present in pieces such as Gilbert and Sullivan's The Mikado. It is important that we continue to re-evaluate these pieces with a modern lens. And so, this exhibit was created in the hopes of highlighting the adaptations that honor the original The Mikado, while acknowledging that there are new and more socially cognitive ways to interact with the material.