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An interview with Williams about CAPTAIN BLACKMAN: Williams discusses race and World War II<br />
<br />
An interview with Williams about CAPTAIN BLACKMAN: Williams discusses race and World War II
Screenshot of original Writings of Consequence: The Art of John A. Williams, digital exhibit
Screenshot of original Writings of Consequence: The Art of John A. Williams, digital exhibit
"JOHN A. WILLIAMS: AGENT PROVOCATEUR," Black Creation, First Anniversary Edition (Summer 1971).
"JOHN A. WILLIAMS: AGENT PROVOCATEUR," Black Creation, First Anniversary Edition (Summer 1971).
John and Lori Williams in Huntington, N.Y. (1983?).
John and Lori Williams in Huntington, N.Y. (1983?).
Promotional shots in his office at Rutgers University, 1982.
Promotional shots in his office at Rutgers University, 1982.
Williams, Lori, and Adam, Fuengirola, Spain. Summer 1977.
Williams, Lori, and Adam, Fuengirola, Spain. Summer 1977.
Williams at his desk, Teaneck, N.J. 1977.
Williams at his desk, Teaneck, N.J. 1977.
Williams at Sarah Lawrence College, 1973.
Williams at Sarah Lawrence College, 1973.
Williams and wife, Lori, at Carnegie Center, 1972.
Williams and wife, Lori, at Carnegie Center, 1972.
Williams speaking at a conference in honor of Chester Himes, Carnegie Center, 1972.
Williams speaking at a conference in honor of Chester Himes, Carnegie Center, 1972.
Williams with sons Adam, Greg, and Dennis. Worcester, N.Y., 1968.
Williams with sons Adam, Greg, and Dennis. Worcester, N.Y., 1968.
Program from a luncheon where Williams was honored with the "President's Preservation Award," 6 October 2001.
Program from a luncheon where Williams was honored with the "President's Preservation Award," 6 October 2001.
Honorary Degree, State University of New York, Old Westbury, Doctor of Letters, 20 May 2001.
Honorary Degree, State University of New York, Old Westbury, Doctor of Letters, 20 May 2001.
Williams and Bearden, Grenada, 1971.
Williams and Bearden, Grenada, 1971.
The Art of Romare Bearden: The Prevalence of Ritual. New York: Abrams (1973). Introduction by Williams.<br />
<br />
The Art of Romare Bearden: The Prevalence of Ritual. New York: Abrams (1973). Introduction by Williams.

Martin Luther King, Jr. and Malcolm X, U.S. Senate Building, Washington, D.C., March 1964. Photograph from Williams's personal collection.
Martin Luther King, Jr. and Malcolm X, U.S. Senate Building, Washington, D.C., March 1964. Photograph from Williams's personal collection.
Williams with Lori and Adam Williams, Getty Museum, Los Angeles, 1999.
Williams with Lori and Adam Williams, Getty Museum, Los Angeles, 1999.
Williams with son Adam, Los Angeles, May 1997. Adam Williams is lead guitarist for Powerman 5000.
Williams with son Adam, Los Angeles, May 1997. Adam Williams is lead guitarist for Powerman 5000.
Certificate of Honor and Recognition, Columbus City Council. Williams was presented this certificate for Vanqui and Clifford's Blues in 1999.
Certificate of Honor and Recognition, Columbus City Council. Williams was presented this certificate for Vanqui and Clifford's Blues in 1999.
American Book Award, the Before Columbus Foundation, 1998.<br />
<br />
American Book Award, the Before Columbus Foundation, 1998.

Chester Himes and John A. Williams at the Black Academy of Arts and Letters induction, September 20, 1970.
Chester Himes and John A. Williams at the Black Academy of Arts and Letters induction, September 20, 1970.
Men on Divorce: The Other Side of the Story. New York: Harcourt Brace (1997). Edited by Peggy Kaganoff and Susan Spano.
Men on Divorce: The Other Side of the Story. New York: Harcourt Brace (1997). Edited by Peggy Kaganoff and Susan Spano.
"JACOB'S LADDER," in Essence. Vol. 18, No. 3 (July 1987). An excerpt from the novel, accompanied by an interview with Williams.
"JACOB'S LADDER," in Essence. Vol. 18, No. 3 (July 1987). An excerpt from the novel, accompanied by an interview with Williams.
American Book Award, 1983. Presented to Williams by the Before Columbus Foundation for "excellence in Literature."
American Book Award, 1983. Presented to Williams by the Before Columbus Foundation for "excellence in Literature."
Contact sheet (clipped) of five original photographs of Williams with his son Adam, Teaneck, N.J. (1975).
Contact sheet (clipped) of five original photographs of Williams with his son Adam, Teaneck, N.J. (1975).
Williams in Worcester, N.Y. (1976).
Williams in Worcester, N.Y. (1976).
Promotional photograph showing the cast of "The Sophisticated Gents" (1981).
Promotional photograph showing the cast of "The Sophisticated Gents" (1981).
Advertising brochure for the television drama "The Sophisticated Gents" (1981), adapted from The Junior Bachelor Society.
Advertising brochure for the television drama "The Sophisticated Gents" (1981), adapted from The Junior Bachelor Society.
AMISTAD 1. Co-edited with Charles F. Harris. New York: Random House (1970). First edition. Cover art by Romare Bearden
AMISTAD 1. Co-edited with Charles F. Harris. New York: Random House (1970). First edition. Cover art by Romare Bearden
AMISTAD 1. Co-edited with Charles F. Harris. New York: Random House (1970). First edition, copy proof.
AMISTAD 1. Co-edited with Charles F. Harris. New York: Random House (1970). First edition, copy proof.
Williams with Charles F. Harris at the Random House reception for Amistad.
Williams with Charles F. Harris at the Random House reception for Amistad.
Williams with Henry Roth. Spain, 1966.
Williams with Henry Roth. Spain, 1966.
John O. Killens and Williams. 4 April 1984.
John O. Killens and Williams. 4 April 1984.
Williams and Achebe, Lagos, Nigeria. January 1965.
Williams and Achebe, Lagos, Nigeria. January 1965.
POLITICAL BUTTON, Poor People's campaign.
POLITICAL BUTTON, Poor People's campaign.
Williams holding artist Bill Hutson's design (never used) for the dust jacket of The Man Who Cried I Am. 1972.
Williams holding artist Bill Hutson's design (never used) for the dust jacket of The Man Who Cried I Am. 1972.
"SON IN THE AFTERNOON," in Exodus.<br />
Vol. 2 (Fall 1959).
"SON IN THE AFTERNOON," in Exodus.
Vol. 2 (Fall 1959).
"THE NEW YORK STATE FAIR," in Flashbacks: A Twenty-Year Diary of Article Writing. Anchor Press (1974).
"THE NEW YORK STATE FAIR," in Flashbacks: A Twenty-Year Diary of Article Writing. Anchor Press (1974).
Business Card: "J. Williams / 327 W. 85th St. New York 24, N.Y. / Public Relations / Marketing / Promotion / Advertising." 1955.
Business Card: "J. Williams / 327 W. 85th St. New York 24, N.Y. / Public Relations / Marketing / Promotion / Advertising." 1955.
Williams with sons Dennis and Gregory. (1957?)
Williams with sons Dennis and Gregory. (1957?)
"SLUGGERS." Photograph of sons Dennis and Gregory. Syracuse, N.Y. 1952.
"SLUGGERS." Photograph of sons Dennis and Gregory. Syracuse, N.Y. 1952.
With Cousin Arnetha Smith Cook, left, and wife Carolyn Clopton Williams, right. Taken on Williams's honeymoon at the Club DeLisa in Chicago. 1947.
With Cousin Arnetha Smith Cook, left, and wife Carolyn Clopton Williams, right. Taken on Williams's honeymoon at the Club DeLisa in Chicago. 1947.
Williams with friend Eric Simmons in Thornden Park, Syracuse, N.Y. Summer 1946.
Williams with friend Eric Simmons in Thornden Park, Syracuse, N.Y. Summer 1946.
Williams, far left, in Oakland, Calif. Early 1946.
Williams, far left, in Oakland, Calif. Early 1946.
Callaloo #21 front cover
"MORE JOURNEYS WITHOUT TITLE,"
Callaloo #21. Vol. 7, No. 2 (Spring-Summer 1984); 83-85.
WRIGHT, Richard. Carbon typescript of "Blueprint for Negro Literature" (1937).
WRIGHT, Richard. Carbon typescript of "Blueprint for Negro Literature" (1937).
<br />
WRIGHT, Richard. White Man, Listen! Garden City, N.Y.: Anchor Books/Doubleday (1964). Williams wrote the introduction for this edition in January 1964.

WRIGHT, Richard. White Man, Listen! Garden City, N.Y.: Anchor Books/Doubleday (1964). Williams wrote the introduction for this edition in January…
Letter from Mary T. Williams to JAW. 2 March 1962.
Letter from Mary T. Williams to JAW. 2 March 1962.
Original photograph of Himes and Williams. Taken by Lori Williams in New York. 1968.
Original photograph of Himes and Williams. Taken by Lori Williams in New York. 1968.
John A. Williams addresses the 2003 graduating class at the University of Rochester.
John A. Williams addresses the 2003 graduating class at the University of Rochester.
John A. Williams interviews Chester Himes
Alicante, Spain. 10 May 1969.
The sun was shining, the wine was flowing, the traffic roared by and John and Chester rapped on about Paris, Richard…
"NEVER BEFORE OR SINCE," The Sunday Herald Tribune Magazine (25 April 1965).
"NEVER BEFORE OR SINCE," The Sunday Herald Tribune Magazine (25 April 1965).
"A GOOD SEASON," The Urbanite: Images of the American Negro. Vol. 1, No. 3 (May 1961).
"A GOOD SEASON," The Urbanite: Images of the American Negro. Vol. 1, No. 3 (May 1961).
A STREET GUIDE TO AFRICAN AMERICANS IN PARIS. Belleville, Mich.: Belleville Lake Press (1996). Co-edited with Michel Fabre. First edition.
A STREET GUIDE TO AFRICAN AMERICANS IN PARIS. Belleville, Mich.: Belleville Lake Press (1996). Co-edited with Michel Fabre. First edition.
WAY B(L)ACK THEN AND NOW: A STREET GUIDE TO AFRICAN AMERICANS IN PARIS. Michel Fabre and John A. Williams. Center for American Culture Studies, Columbia University (1992).
WAY B(L)ACK THEN AND NOW: A STREET GUIDE TO AFRICAN AMERICANS IN PARIS. Michel Fabre and John A. Williams. Center for American Culture Studies,…
REFLECTED IN MALCOLM: LIVING IN THE TIME OF X. Original typescript of unpublished young adult book.
REFLECTED IN MALCOLM: LIVING IN THE TIME OF X. Original typescript of unpublished young adult book.
FOR OURSELVES: THE IMAGES OF MALCOLM X (1992?). Proposal for a book of photographs to accompany the television documentary produced by Blackside Productions.
FOR OURSELVES: THE IMAGES OF MALCOLM X (1992?). Proposal for a book of photographs to accompany the television documentary produced by Blackside…
"TALENT LET LOOSE," Syracuse University Magazine, Vol. 8, No. 2 (March 1992).
"TALENT LET LOOSE," Syracuse University Magazine, Vol. 8, No. 2 (March 1992).
Typed letter signed. From Williams to Richard Pryor. 10 April 1983.
Typed letter signed. From Williams to Richard Pryor. 10 April 1983.
INTERVIEW WITH BILL COSBY. Original typescript of interview for Amistad 2. Unpublished.
INTERVIEW WITH BILL COSBY. Original typescript of interview for Amistad 2. Unpublished.
"PORTRAIT IN THE BLUE NOTE," in New York Stories, Vol. 3, No. 3 (Fall 2001).
"PORTRAIT IN THE BLUE NOTE," in New York Stories, Vol. 3, No. 3 (Fall 2001).
ASSESS THE MESS." Original typescript of song lyrics (2003).
ASSESS THE MESS." Original typescript of song lyrics (2003).
QUEENIE PIE. Original manuscript libretto, with Williams's corrections shown.<br />
<br />
QUEENIE PIE. Original manuscript libretto, with Williams's corrections shown.

QUEENIE PIE. Original manuscript libretto, with Williams's corrections shown.
QUEENIE PIE. Original manuscript libretto, with Williams's corrections shown.
Typed letter from Williams to Mercer Ellington. 10 December 1982.
Typed letter from Williams to Mercer Ellington. 10 December 1982.
Opera Columbus program for Vanqui premiere. (October 1999).
Opera Columbus program for Vanqui premiere. (October 1999).
COLLEAGUES. Original typescript for the unpublished novel.
COLLEAGUES. Original typescript for the unpublished novel.
Original drawing by Williams of the campus setting for Colleagues.
Original drawing by Williams of the campus setting for Colleagues.
CLIFFORD'S BLUES. Minneapolis, Minn.: Coffee House Press (1998). First edition.
CLIFFORD'S BLUES. Minneapolis, Minn.: Coffee House Press (1998). First edition.
CLIFFORD'S BLUES. Minneapolis, Minn.: Coffee House Press (1998). Uncorrected galley, showing the first version of the cover art.
CLIFFORD'S BLUES. Minneapolis, Minn.: Coffee House Press (1998). Uncorrected galley, showing the first version of the cover art.
LOVE. Derry, N.H., Ridgewood, N.J.: Babcock & Koontz (1988). Copy 18 of edition 200. Signed by Williams, excerpt from The Book Without Title.
LOVE. Derry, N.H., Ridgewood, N.J.: Babcock & Koontz (1988). Copy 18 of edition 200. Signed by Williams, excerpt from The Book Without Title.
"THE VISITORS," Syracuse University Magazine, Vol. 4, No. 3 (June 1988).
"THE VISITORS," Syracuse University Magazine, Vol. 4, No. 3 (June 1988).
Original typescript, The Book Without Title became Clifford's Blues.
Original typescript, The Book Without Title became Clifford's Blues.
"Chapter 21" of CLIFFORD'S BLUES published in Black American Literature Forum, Vol. 23, Number 2 (Summer 1989).
"Chapter 21" of CLIFFORD'S BLUES published in Black American Literature Forum, Vol. 23, Number 2 (Summer 1989).
"THE WAY IT IS," from Safari West, original typescript.
"THE WAY IT IS," from Safari West, original typescript.
SAFARI WEST. Montreal, Canada: Hochelaga Press (1998). First edition.
SAFARI WEST. Montreal, Canada: Hochelaga Press (1998). First edition.
Original photograph of Chester Himes with his cat, Deros. Taken by Williams at the Hotel Albert in New York. Summer 1968.
Original photograph of Chester Himes with his cat, Deros. Taken by Williams at the Hotel Albert in New York. Summer 1968.
"CHESTER HIMES IS GETTING ON," clipped from Book Week. Vol. 2, No. 5 (11 October 1964).
"CHESTER HIMES IS GETTING ON," clipped from Book Week. Vol. 2, No. 5 (11 October 1964).
"ONE FOR NEW YORK," excerpted in The Payback Sampler. Edinburgh: Payback Press (Autumn 1996). Payback Press issued One for New York in 1996.
"ONE FOR NEW YORK," excerpted in The Payback Sampler. Edinburgh: Payback Press (Autumn 1996). Payback Press issued One for New York in 1996.
JACOB'S LADDER. New York: Thunder's Mouth Press (1987). First edition, in dust jacket. Signed by Williams and dated 10 August 1987.
JACOB'S LADDER. New York: Thunder's Mouth Press (1987). First edition, in dust jacket. Signed by Williams and dated 10 August 1987.
JACOB'S LADDER. New York: Thunder's Mouth Press (1987). First edition, copy proof.
JACOB'S LADDER. New York: Thunder's Mouth Press (1987). First edition, copy proof.
A CONDITION OF CONFLICT. Original typescript, with author's corrections and additions. Uncollated sheets. An early version of Jacob's Ladder.
A CONDITION OF CONFLICT. Original typescript, with author's corrections and additions. Uncollated sheets. An early version of Jacob's Ladder.
THE BERHAMA ACCOUNT. Far Hills, N.J.: New Horizon Press (1985). First edition, in dust jacket.
THE BERHAMA ACCOUNT. Far Hills, N.J.: New Horizon Press (1985). First edition, in dust jacket.
LAST FLIGHT FROM AMBO BER. Pelham, N.Y.: American Association for Ethiopian Jews (1983). First edition. Original wrappers.
LAST FLIGHT FROM AMBO BER. Pelham, N.Y.: American Association for Ethiopian Jews (1983). First edition. Original wrappers.
LAST FLIGHT FROM AMBO BER. Program of production presented by People's Theater, in Cambridge, Mass., for the Theatre in Process series of new plays. November 1981.
LAST FLIGHT FROM AMBO BER. Program of production presented by People's Theater, in Cambridge, Mass., for the Theatre in Process series of new plays.…
LAST FLIGHT FROM AMBO BER. Acting Script (offset from typescript).
LAST FLIGHT FROM AMBO BER. Acting Script (offset from typescript).
!CLICK SONG. New York: Thunder's Mouth Press (1987). First paperback reprint edition.
!CLICK SONG. New York: Thunder's Mouth Press (1987). First paperback reprint edition.
!CLICK SONG. Boston: Houghton Mifflin (1982). First edition, in dust jacket. Signed by Williams.
!CLICK SONG. Boston: Houghton Mifflin (1982). First edition, in dust jacket. Signed by Williams.
Houghton Mifflin's promotional flyer for !Click Song.
Houghton Mifflin's promotional flyer for !Click Song.
!CLICK SONG. Boston: Houghton Mifflin (1982). First edition, proof copy.
!CLICK SONG. Boston: Houghton Mifflin (1982). First edition, proof copy.
!CLICK SONG. Original typescript, with author's corrections and additions. Uncollated sheets.
!CLICK SONG. Original typescript, with author's corrections and additions. Uncollated sheets.
Original typescript of collaborative effort by Williams and his wife, Lori. (1979)
Original typescript of collaborative effort by Williams and his wife, Lori. (1979)
THE JUNIOR BACHELOR SOCIETY. Original typescript, with author's corrections and additions. Uncollated sheets.
THE JUNIOR BACHELOR SOCIETY. Original typescript, with author's corrections and additions. Uncollated sheets.
THE JUNIOR BACHELOR SOCIETY. Garden City, N.Y.: Doubleday (1976). First edition.
THE JUNIOR BACHELOR SOCIETY. Garden City, N.Y.: Doubleday (1976). First edition.
THE JUNIOR BACHELOR SOCIETY. Garden City, N.Y.: Doubleday (1976). First edition, uncorrected proof copy.
THE JUNIOR BACHELOR SOCIETY. Garden City, N.Y.: Doubleday (1976). First edition, uncorrected proof copy.
MOTHERSILL AND THE FOXES. Garden City, N.Y.: Doubleday (1975). First edition.
MOTHERSILL AND THE FOXES. Garden City, N.Y.: Doubleday (1975). First edition.
MINORITIES IN THE CITY. New York: Harper and Row (1975). Signed by Williams, original wrappers.
MINORITIES IN THE CITY. New York: Harper and Row (1975). Signed by Williams, original wrappers.
FLASHBACKS: A TWENTY-YEAR DIARY OF ARTICLE WRITING. Garden City, N.Y.: Anchor Press/Doubleday (1973). First edition.
FLASHBACKS: A TWENTY-YEAR DIARY OF ARTICLE WRITING. Garden City, N.Y.: Anchor Press/Doubleday (1973). First edition.
CAPTAIN BLACKMAN. New York: Bantam Books (1974). First paperback edition.
CAPTAIN BLACKMAN. New York: Bantam Books (1974). First paperback edition.
CAPTAIN BLACKMAN. Garden City, N.Y.: Doubleday (1972). First edition.
CAPTAIN BLACKMAN. Garden City, N.Y.: Doubleday (1972). First edition.
CAPTAIN BLACKMAN. Original typescript with the author's corrections and additions.
CAPTAIN BLACKMAN. Original typescript with the author's corrections and additions.
AMISTAD 2. Co-edited with Charles F. Harris. New York: Random House (1971). First edition. Cover art by Sam Middleton.
AMISTAD 2. Co-edited with Charles F. Harris. New York: Random House (1971). First edition. Cover art by Sam Middleton.
AMISTAD 2. Co-edited with Charles F. Harris. New York: Random House (1971). First edition, copy proof.
AMISTAD 2. Co-edited with Charles F. Harris. New York: Random House (1971). First edition, copy proof.
THE KING GOD DIDN'T SAVE. Paperback edition.
THE KING GOD DIDN'T SAVE. Paperback edition.
THE KING GOD DIDN'T SAVE. New York: Coward-McCann (1970). First edition.
THE KING GOD DIDN'T SAVE. New York: Coward-McCann (1970). First edition.
SONS OF DARKNESS, SONS OF LIGHT. New York: Pocket Books (1970). First paperback edition.
SONS OF DARKNESS, SONS OF LIGHT. New York: Pocket Books (1970). First paperback edition.
SONS OF DARKNESS, SONS OF LIGHT. Boston: Little, Brown (1969). First edition, in dust jacket.
SONS OF DARKNESS, SONS OF LIGHT. Boston: Little, Brown (1969). First edition, in dust jacket.
SONS OF DARKNESS, SONS OF LIGHT. Boston: Little, Brown (1969). First edition, proof copy.
SONS OF DARKNESS, SONS OF LIGHT. Boston: Little, Brown (1969). First edition, proof copy.
SONS OF DARKNESS, SONS OF LIGHT. Setting typescript, with author's corrections and additions.
SONS OF DARKNESS, SONS OF LIGHT. Setting typescript, with author's corrections and additions.
THE MAN WHO CRIED I AM. Autograph manuscript. Fragment of dramatization by Williams.
THE MAN WHO CRIED I AM. Autograph manuscript. Fragment of dramatization by Williams.
THE MAN WHO CRIED I AM. Woodstock, N.Y.: The Overlook Press (2004).
THE MAN WHO CRIED I AM. Woodstock, N.Y.: The Overlook Press (2004).
L'HOMME QUI CRIAIT JE SUIS. Paris: Quai Voltaire (1994). French edition.
L'HOMME QUI CRIAIT JE SUIS. Paris: Quai Voltaire (1994). French edition.
NAAR JAMES TOWN EN TERUG. Urecht/Antwerpen: A.W. Brana & Zoon (1969). Dutch edition.
NAAR JAMES TOWN EN TERUG. Urecht/Antwerpen: A.W. Brana & Zoon (1969). Dutch edition.
THE MAN WHO CRIED I AM. New York: Thunder's Mouth Press (1985). New paperback edition.
THE MAN WHO CRIED I AM. New York: Thunder's Mouth Press (1985). New paperback edition.
THE MAN WHO CRIED I AM. London: Penguin Books in association with Eyre & Spottiswoode (1971). Paperback edition.
THE MAN WHO CRIED I AM. London: Penguin Books in association with Eyre & Spottiswoode (1971). Paperback edition.
THE MAN WHO CRIED I AM. New York: Signet Books/New American Library (1968). First paperback edition.
THE MAN WHO CRIED I AM. New York: Signet Books/New American Library (1968). First paperback edition.
[THE MAN WHO CRIED I AM.] "The King Alfred Plan." Boston: Little, Brown (1967).
[THE MAN WHO CRIED I AM.] "The King Alfred Plan." Boston: Little, Brown (1967).
THE MAN WHO CRIED I AM. Boston: Little, Brown (1967). First hardcover edition.
THE MAN WHO CRIED I AM. Boston: Little, Brown (1967). First hardcover edition.
THE MAN WHO CRIED I AM. Original carbon typescript with author's corrections and additions.
THE MAN WHO CRIED I AM. Original carbon typescript with author's corrections and additions.
THIS IS MY COUNTRY TOO. New York: New American Library (1966). First paperback edition.
THIS IS MY COUNTRY TOO. New York: New American Library (1966). First paperback edition.
THIS IS MY COUNTRY TOO. New York: New American Library (1966). First edition.
THIS IS MY COUNTRY TOO. New York: New American Library (1966). First edition.
"THIS IS MY COUNTRY TOO, PART II," in Holiday, Vol. 36, No. 3 (September 1964).
"THIS IS MY COUNTRY TOO, PART II," in Holiday, Vol. 36, No. 3 (September 1964).
"THIS IS MY COUNTRY TOO, PART I," in Holiday, Vol. 36, No. 2 (August 1964).
"THIS IS MY COUNTRY TOO, PART I," in Holiday, Vol. 36, No. 2 (August 1964).
THE PROTECTORS, by Harry J. Anslinger with J. Dennis Gregory. New York: Farrar, Straus, and Cudahy (1964). First edition. Williams used the pseudonym "J. Dennis Gregory" for this book.<br />
<br />
THE PROTECTORS, by Harry J. Anslinger with J. Dennis Gregory. New York: Farrar, Straus, and Cudahy (1964). First edition. Williams used the pseudonym…
"NEITHER LIFE ENOUGH NOR TIME," in The New Leader. Vol. XLVI, No. 11 (27 May 1963).
"NEITHER LIFE ENOUGH NOR TIME," in The New Leader. Vol. XLVI, No. 11 (27 May 1963).
"GLAD SONG OF THE A-TRAIN," in Cavalier. Vol. 13, No. 117 (March 1963).
"GLAD SONG OF THE A-TRAIN," in Cavalier. Vol. 13, No. 117 (March 1963).
"SEX IN BLACK & WHITE," in Cavalier. Vol. 13, No. 123 (September 1963). Also appears in Flashbacks (1973).
"SEX IN BLACK & WHITE," in Cavalier. Vol. 13, No. 123 (September 1963). Also appears in Flashbacks (1973).
"TALES OF CHILDHOOD," in Negro Digest. Vol. XII, No. 3 (January 1963).
"TALES OF CHILDHOOD," in Negro Digest. Vol. XII, No. 3 (January 1963).
"NEGRO LITERATURE TODAY," in Ebony. Vol XVIII, No. 11 (September 1963).
"NEGRO LITERATURE TODAY," in Ebony. Vol XVIII, No. 11 (September 1963).
"THE LITERARY GHETTO," in Saturday Review. Vol. XLVI, No. 16 (20 April 1963).
"THE LITERARY GHETTO," in Saturday Review. Vol. XLVI, No. 16 (20 April 1963).
JOURNEY OUT OF ANGER. London: Eyre & Spottiswoode (1965). First British edition.
JOURNEY OUT OF ANGER. London: Eyre & Spottiswoode (1965). First British edition.
SISSIE. Stockholm: Raben & Sjogren (1964). Swedish paperback edition.
SISSIE. Stockholm: Raben & Sjogren (1964). Swedish paperback edition.
SISSIE. Garden City, N.Y.: Anchor Books/Doubleday (1969). First paperback edition.
SISSIE. Garden City, N.Y.: Anchor Books/Doubleday (1969). First paperback edition.
SISSIE. New York: Farrar. Straus, & Cudahy (1963). First edition.
SISSIE. New York: Farrar. Straus, & Cudahy (1963). First edition.
 SISSIE. New York: Farrar, Straus & Cudahy (1963). First edition, proof copy.
SISSIE. New York: Farrar, Straus & Cudahy (1963). First edition, proof copy.
SISSIE: A PLAY IN THREE ACTS. Original typescript, second draft; with the author's corrections and additions. A dramatization of the novel for the Canadian Broadcasting Corporation.
SISSIE: A PLAY IN THREE ACTS. Original typescript, second draft; with the author's corrections and additions. A dramatization of the novel for the…
"WE REGRET TO INFORM YOU THAT..." in Nugget (December 1962). Also appears in Flashbacks (1973).
"WE REGRET TO INFORM YOU THAT..." in Nugget (December 1962). Also appears in Flashbacks (1973).
DE ZWARTE WOEDE. Amsterdam: ABC-Boeken (1967). Dutch paperback edition of the Angry Black.
DE ZWARTE WOEDE. Amsterdam: ABC-Boeken (1967). Dutch paperback edition of the Angry Black.
THE ANGRY BLACK. New York: Lancer Books (1962(. First edition, edited by Williams. Stories and articles by prominent writers.
THE ANGRY BLACK. New York: Lancer Books (1962(. First edition, edited by Williams. Stories and articles by prominent writers.
Headnote on Dick Gregory
Headnote on Dick Gregory
"DICK GREGORY: DESEGREGATED COMIC," in Swank. Vol 8, No. 4 (September 1961). Also appears in Flashbacks (1973).
"DICK GREGORY: DESEGREGATED COMIC," in Swank. Vol 8, No. 4 (September 1961). Also appears in Flashbacks (1973).
"SUBJECT: CHARLES PARKER,"  in Swank. Vol. 8, No. 3 (July 1961). Also appears in Flashbacks (1973).
"SUBJECT: CHARLES PARKER," in Swank. Vol. 8, No. 3 (July 1961). Also appears in Flashbacks (1973).
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