Home
- Welcome
- Visualizing Camelot: An Introduction
- Visualizing Camelot in Everyday Life
- Visualizing Camelot at the Movies
- Visualizing Camelot in Popular Culture
- Visualizing Camelot: Major Authors
- Illustrated Malory Editions
- Ashendene Press Malory and "The Barge to Avalon"
- Retellings of Malory
- Illustrated Tennyson Editions
- Tennyson's Influence on Popular Art and Culture
- Tennyson, Watts, and the Strength of Ten
- Art Based on Malory and Tennyson
- Illustrating Mark Twain's A Connecticut Yankee in King Arthur's Court
- Reworking Twain's Connecticut Yankee
- T. H. White
- Sir Gawain and the Green Knight
- Children's Books
- Visualizing Camelot: Iconic Images
- Lancelot Speed
- Aubrey Beardsley
- Fritz Eichenberg
- Women Illustrators
- Curators' Acknowledgments
- Credits
- Events and Programming
- Related Resources, Programming, and Exhibits
Ashendene Press Malory and "The Barge to Avalon"
The Ashendene Press Malory is one of the most exceptional of the fine-press Arthurian books. Its beautiful font with initials in red and blue and illustrations by Charles M. Gere and Margaret Gere make it a masterpiece of the printer’s art. The copy displayed here belonged to Nathan Comfort Starr, author of King Arthur Today, among the earliest studies of modern Arthurian literature, and contains his bookplate.
Among the iconic images in the Ashendene is the illustration of Arthur in the barge to Avalon. A more recent rendering of that image is the original and hauntingly evocative watercolor by Anna-Marie Ferguson for Le Morte d’Arthur (2000).
Spine, bookplate, bibliographic inscription,
and illustrated plates from the Ashendene Malory.