Home
- Welcome
- Visualizing Camelot: An Introduction
- Visualizing Camelot in Everyday Life
- Visualizing Camelot at the Movies
- Visualizing Camelot in Popular Culture
- Visualizing Camelot: Major Authors
- Illustrated Malory Editions
- Ashendene Press Malory and "The Barge to Avalon"
- Retellings of Malory
- Illustrated Tennyson Editions
- Tennyson's Influence on Popular Art and Culture
- Tennyson, Watts, and the Strength of Ten
- Art Based on Malory and Tennyson
- Illustrating Mark Twain's A Connecticut Yankee in King Arthur's Court
- Reworking Twain's Connecticut Yankee
- T. H. White
- Sir Gawain and the Green Knight
- Children's Books
- Visualizing Camelot: Iconic Images
- Lancelot Speed
- Aubrey Beardsley
- Fritz Eichenberg
- Women Illustrators
- Curators' Acknowledgments
- Credits
- Events and Programming
- Related Resources, Programming, and Exhibits
Tennyson's Influence on Popular Art and Culture
Tennyson’s Arthurian poetry penetrated deeply into the daily lives of the people of his age. A series of twelve Minton tiles, designed by John Moyr Smith, depicted scenes and characters from the Idylls. Meant to decorate furniture and fireplaces, they were also found in such other household items as trivets and jardinières. As displayed here, Arthurian images were also used in items from buttons on clothing to photo mounts, and even as a coloring book, The Passing of Arthur (1928), edited by Agnes Nightingale.
A particularly striking example of Arthuriana (and of nineteenth-century interest in and practice of illumination) is the hand-decorated Songs from the Idylls of the King by Tennyson, with nine original illuminated pages.