Home
- Welcome
- Visualizing Camelot: An Introduction
- Visualizing Camelot in Everyday Life
- Visualizing Camelot at the Movies
- Visualizing Camelot in Popular Culture
- Visualizing Camelot: Major Authors
- Illustrated Malory Editions
- Ashendene Press Malory and "The Barge to Avalon"
- Retellings of Malory
- Illustrated Tennyson Editions
- Tennyson's Influence on Popular Art and Culture
- Tennyson, Watts, and the Strength of Ten
- Art Based on Malory and Tennyson
- Illustrating Mark Twain's A Connecticut Yankee in King Arthur's Court
- Reworking Twain's Connecticut Yankee
- T. H. White
- Sir Gawain and the Green Knight
- Children's Books
- Visualizing Camelot: Iconic Images
- Lancelot Speed
- Aubrey Beardsley
- Fritz Eichenberg
- Women Illustrators
- Curators' Acknowledgments
- Credits
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- Related Resources, Programming, and Exhibits
Camelot 4005
Jim (James P.) Starlin, a comic book artist/writer who has contributed to many DC and Marvel comics, is also known for his work in the “space opera” genre, of which this portfolio of drawings is an example. In one color and seven black-and-white prints, he translates the story of Camelot into the distant future and describes that world as “Castles amidst the stars, winged cyborg steeds, gleaming atom powered knights and a spirit of cosmic chivalry.”