Home
- Welcome
- Visualizing Camelot: An Introduction
- Visualizing Camelot in Everyday Life
- Visualizing Camelot at the Movies
- Visualizing Camelot in Popular Culture
- Visualizing Camelot: Major Authors
- Illustrated Malory Editions
- Ashendene Press Malory and "The Barge to Avalon"
- Retellings of Malory
- Illustrated Tennyson Editions
- Tennyson's Influence on Popular Art and Culture
- Tennyson, Watts, and the Strength of Ten
- Art Based on Malory and Tennyson
- Illustrating Mark Twain's A Connecticut Yankee in King Arthur's Court
- Reworking Twain's Connecticut Yankee
- T. H. White
- Sir Gawain and the Green Knight
- Children's Books
- Visualizing Camelot: Iconic Images
- Lancelot Speed
- Aubrey Beardsley
- Fritz Eichenberg
- Women Illustrators
- Curators' Acknowledgments
- Credits
- Events and Programming
- Related Resources, Programming, and Exhibits
Related Resources, Programming, and Exhibits
Centre for Arthurian Studies, Bangor University, “Home is Where the Legends Are” Digital Exhibition
An international dimension of the Visualizing Camelot exhibition is the collaborative “virtual set of exhibition cases” that we share with the Centre for Arthurian Studies at Bangor University. Their “Home is Where the Legends Are” exhibition highlights the central role played by Arthurian and Celtic Studies in the local area around Bangor University. The project is grounded in Bangor University’s Archives and Special Collections, including a celebration of the Flintshire Harries Arthurian collection.