Home
- Welcome
- Visualizing Camelot: An Introduction
- Visualizing Camelot in Everyday Life
- Visualizing Camelot at the Movies
- Visualizing Camelot in Popular Culture
- Visualizing Camelot: Major Authors
- Illustrated Malory Editions
- Ashendene Press Malory and "The Barge to Avalon"
- Retellings of Malory
- Illustrated Tennyson Editions
- Tennyson's Influence on Popular Art and Culture
- Tennyson, Watts, and the Strength of Ten
- Art Based on Malory and Tennyson
- Illustrating Mark Twain's A Connecticut Yankee in King Arthur's Court
- Reworking Twain's Connecticut Yankee
- T. H. White
- Sir Gawain and the Green Knight
- Children's Books
- Visualizing Camelot: Iconic Images
- Lancelot Speed
- Aubrey Beardsley
- Fritz Eichenberg
- Women Illustrators
- Curators' Acknowledgments
- Credits
- Events and Programming
- Related Resources, Programming, and Exhibits
Florence Harrison
Australian-born British artist Florence Harrison (1877-1955) was an illustrator whose style shows the influence of both the Pre-Raphaelites and Art Nouveau. Initially an illustrator of her own children’s poetry, she went on to illustrate two books of poems, by Tennyson and William Morris, which were published by Blackie’s, her chief publisher throughout her career. Like those of Jessie King, Harrison’s line drawings have strong decorative elements, while her watercolors are often dreamy and fantastical in their imagery.
“And by him Palomydes helmet off / He fought” is an original pen-and-ink drawing of Harrison’s that illustrated Morris’s “King Arthur’s Tomb” in Early Poems of William Morris (1914).