The Productions: Patience
Gilbert planned to write the next opera about two rival curates, a theme he used previously in a Bab Ballad. He subsequently changed the curates to poets and the resulting Patience, or Bunthorne’s Bride (1881) became a spoof of the aesthetic movement. The principal character, Bunthorne, resembled Oscar Wilde, and the opera seems inextricably associated with him. Five months after the London premiere at the Opera Comique, Carte successfully produced Patience in New York at the Standard Theatre. Once its success was assured, American producers felt free to stage pirated and burlesque versions of Patience, and regional touring companies were formed to bring it across America. Carte arranged an American speaking tour for Wilde, that coincided with the regional tours of Patience, thus acquainting audiences with the theme of the opera.
Carte, in his partnership with Gilbert and Sullivan, had long planned for a new theatre built especially for their comic operas. His resplendent Savoy Theatre opened in October 1881 and Patience transferred there from the Opera Comique. The Savoy would henceforth be associated with Gilbert and Sullivan---their operas would be known as the Savoy operas, and the original performers would be known as Savoyards.