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- A Note from the Collector, 2005
- A Note from the Collector, 2020
- W.S. Gilbert
- Arthur Sullivan
- The Productions: Thespis and Trial by Jury
- The Productions: The Sorcerer
- The Productions: H.M.S. Pinafore
- The Productions: Pirates of Penzance
- The Productions: Patience
- The Productions: Iolanthe
- The Productions: Princess Ida
- The Productions: Mikado in London
- The Productions: Mikado in America
- The Productions: Ruddigore
- The Productions: Yeoman of the Guard
- The Productions: Gondoliers, Utopia Limited, and the Grand Duke
- Dance Arrangements with Illustrated Covers
- The Operas in the Popular Press
- Gilbert and Sullivan in Films
- Gilbert and Sullivan in American Advertising
- Gilbert and Sullivan in American Advertising: Mikado
- "Merely Corroborative Detail..."
- An Appreciation, 2005
- About the Digital Exhibit, Then and Now
The Productions: Thespis and Trial by Jury
Gilbert and Sullivan were first brought together by John Hollingshead to write a Christmas entertainment for his Gaiety Theatre (London). Thespis, or The Gods Grown Old (1871) was considered a modest success, but it was atypical and contained elements that neither Gilbert nor Sullivan would tolerate in their later works. It was not produced in America or revived in England. Apart from two songs and some ballet music, the score has been lost. Modern-day attempts at reconstruction have used other music.
Gilbert and Sullivan were reunited four years later by Richard D’Oyly Carte, then manager of the Royalty Theatre. A short afterpiece to accompany Offenbach’s La Perichole was needed. Gilbert expanded a piece originally written for Fun, and Sullivan, delighted with its humor, agreed to set the music. The result, Trial by Jury (1875), was a great success, and soon eclipsed the main attraction in popularity. Eight months later, New York saw its first production. Trial by Jury became the first traditional Gilbert and Sullivan opera, and D’Oyly Carte would be linked to the pair for the rest of their collaborative work.